Making Vine Black Oil Paint (and Drawing Charcoal)

Making Vine Black Oil Paint (and Drawing Charcoal)

Watch this video on YouTube   Making Vine Black Oil Paint (and Drawing Charcoal) — The Alchemical Journey Series — by Damian Osborne   1 | What is vine black? 2 | Other names and methods of producing a charcoal black 3 | How does vine black oil paint compare with other black pigments? 4 | How do you make homemade vine charcoal for drawing? 5 | What will you need to make vine black oil paint? 6 | How do you make vine black oil paint? 7 | What are some examples of vine black being used by the Old…

Final Stages of a Portrait Painting

Final Stages of a Portrait Painting

Watch this video on YouTube   Final Stages of a Portrait Painting — Nigredo by Damian Osborne   1 | What pigments will I need for painting a portrait? 2 | Should you add chalk to your oil paint? 3 | How do you mix colours for the Verdaccio? 4 | How many stages do you need for a portrait painting in oils?   Here are the final stages of a self-portrait painting I called ‘Nigredo’ (or the crucifixion). Using my own oil paints, I show a quick summary of the various stages of the portrait, beginning with the Verdaccio.…

Making Your Own Refined Linseed Oil

Making Your Own Refined Linseed Oil

Watch this video on YouTube Making Your Own Refined Linseed Oil (Like the Old Masters) by Damian Osborne   1 | Linseed oil and yellowing 2 | Why make your own refined linseed oil? 3 | The salt and sand linseed oil refining process 4 | What you’ll need for refining linseed oil with the salt and sand method: 5 | How to refine linseed oil with the salt and sand method: 6 | What is the difference between cold-pressed, heat-bodied, sun-bleached, stand, and burnt-plate linseed oil for oil painting?   Making your own refined linseed oil as a medium for…

Weird Questions Beginner Oil Painters Ask

Weird Questions Beginner Oil Painters Ask

  Weird Questions Beginner Oil Painters Ask by Damian Osborne   1 | When does one do underpainting? And is that synonymous with a wash or blocking in? 2 | If you do an underpainting, what medium do you prefer to use? 3 | How many layers of oil paint can you pile on top of the underpainting? 4 | Do you paint an oil painting in subsequent layers by just adding more oil? Or is it more paint? 5 | Can I use acrylic under an oil painting? 6 | What is the difference between alkyd medium and linseed…

Final Stages of a Figurative Painting – Painting the Figure – Part 4

Final Stages of a Figurative Painting – Painting the Figure – Part 4

Watch this video on YouTube   Final Stages of a Figurative Painting Painting the Figure – Part 4 by Damian Osborne   Figurative painting has become the main ‘body’ of my work. This painting is part of my Siren Series, where I depict a female figure in isolation before the sea. If you missed the last blog, I started working on painting the skin tone. In this chapter, I complete this figurative painting with several stages of glazing.    What are two different techniques for figurative oil painting? Artists who paint the figure in oils can usually be divided into…

Painting the Skin Tone – Painting the Figure – Part 3

Painting the Skin Tone – Painting the Figure – Part 3

Watch this video on YouTube   Painting the Skin Tone Painting the Figure – Part 3 by Damian Osborne   There are many styles, colour palettes and methods artists present and past used for painting the skin tone, and of course it won’t do to just mix a universal ‘flesh colour’. Although I like to study as much of the old masters and their palettes as I can, as well as living artists’ methods, colour mixing is pretty intuitive for me; I’m thinking more in terms of colour temperature and value than following someone else’s method, rules, or anything else.…

Painting the Halftones – Painting the Figure – Part 2

Painting the Halftones – Painting the Figure – Part 2

Watch this video on YouTube   Painting the Halftones Painting the Figure – Part 2  by Damian Osborne   So, what are halftones in oil painting exactly? After I painted the grisaille (or ‘dead layer’) in the first chapter of this series, I was left with a cool grey, almost bluish skin tone because of the cooling effect white has over the raw umber imprimatura. So now I need to consider the values (light and dark), the colour hues (what actual local colours I need for the skin tones), and what colour temperatures I want to use for the skin,…

Final Stages of a Figure Painting in Oils

Final Stages of a Figure Painting in Oils

Watch this video on YouTube   Final Stages of a Figure Painting in Oils by Damian Osborne   Usually when I’m working on a figure painting in oils, I write down ideas I have about the painting and the next steps I should follow. So once the painting is dry after a few days, I can pick up from where I left off. My journal becomes quite important near the final stages of the painting, because this is when things really start coming together, and I want to be sure I’m getting things right and not forgetting stuff. I also…

Glazing Skin Tones in Oil Painting

Glazing Skin Tones in Oil Painting

Watch this video on YouTube   Glazing Skin Tones in Oil Painting by Damian Osborne   Glazing skin tones creates a transparent and beautiful glow of realistic looking skin that is impossible to achieve simply by direct painting methods. Following the classical Flemish method of oil painting, I have thus so far painted the imprimatura, the verdaccio, gone over the figure with terra verte, and completed the first semi-opaque flesh tone layer. You can follow these previous steps on my blog or on Youtube if you’ve missed them. Now comes the first glazing layer. Oooohhh… Ahhhhh..   What is glazing…

Still Life Painting of Apples

Still Life Painting of Apples

  Painting a Still Life of Apples by Damian Osborne   I had a commission to paint a still life of apples for a collector, so I decided to share the process as a still life painting tutorial. I set up a rustic-looking grass bowl with pink lady apples and a pretty brown and blue pashmina on the table. Then I lit the still life with a spotlight to simplify the shadows but also made sure I could see the canvas I would be painting on. It was better to paint it at night when the room was dark, but…

Painting the Traditional Way – Part 5 – Final Glazing in Oils

Painting the Traditional Way – Part 5 – Final Glazing in Oils

  Painting the Traditional Way – Part 5 – Final Glazing in Oils by Damian Osborne   After painting the background surrounding the figure in the last post, it’s time to begin the final glazing in oils. This is the last stage of the painting process. This is the final part of this blog on painting a Woman in a Tropical Pool. If you missed the start of this figure painting, check out out Painting the Traditional Way – Part 1, where I begin with priming and toning the canvas.  Finishing a painting usually takes longer than expected. This is…