Painting the Skin Tone Painting the Figure – Part 3 There are many styles, colour palettes and methods artists…
Painting the Halftones – Painting the Figure – Part 2
Painting the Halftones Painting the Figure – Part 2 So, what are halftones in oil painting exactly? After I…
Painting the Figure – Part 1
Painting the Figure – Part 1 This is actually part of my Siren Series which I am breaking…
Where Do Artists Find Inspiration?
Where Do Artists Find Inspiration? On finding inspiration as an artist; some art musings and studio soliloquies. While…
Being Authentic as an Artist (and Not Stressing About Selling)
Being Authentic as an Artist (and Not Stressing About Selling) The problem of selling art Making art is difficult.…
Dealing with Criticism as an Artist and Staying Humble coz Nobody Likes a Conceited Douchebag
Dealing with Criticism as an Artist and Staying Humble coz Nobody Likes a Conceited Douchebag I’m lucky enough to be…
Why Does Art Exist?
Why Does Art Exist? (A Painting is NOT Just a Picture – Part 2) I continue asking my…
What’s the Point of Art?
What’s the Point of Art Anyway? (A Painting is NOT Just a Picture) In this two-part blog…
The Thoughtful Man
‘The Thoughtful Man’ is a series of portraits that I’m currently working on, as oil paintings or drawings, depicting…
Final Stages of a Figure Painting with Oils
Final Stages of a Figure Painting with Oils Usually when I’m working on a figure painting, I write…
Glazing Skin Tones in Oil Painting
Glazing Skin Tones in Oil Painting Following the classical Flemish method of oil painting, I have thus…
Painting the Flesh Tone
Painting the Flesh Tone After painting the Verdaccio and going over the figure with Terre Verte, it’s time to…
Painting the Figure with Terre Verte
Painting the Figure with Terre Verte Terre Verte, or ‘Green Earth’, was commonly used from Medieval Times…
Painting the Verdaccio
Painting the Verdaccio What is the Verdaccio? Verdaccio is an Italian term for the greenish-hued underpaintings common to Early…
Painting the Imprimatura
Painting the Imprimatura Ok, so I’ve just completed the burnt umber imprimatura. This is the second part of the figure…
Charcoal Underdrawing for an Oil Painting
Charcoal Underdrawing for an Oil Painting In the classical method, this is the first stage for my upcoming portrait/figure…
Starting a Painting – My 5 rules
Starting a Painting – My 5 rules Before even starting a painting, I have 5 rules as an artist…
Painting a Still Life of Apples
Painting a Still Life of Apples I had a commission to paint a still life of apples for a…
Painting the Traditional Way – Part 5 – Final Glazing
Painting the Traditional Way – Part 5 – Final Glazing This is the final part of this blog on…
Painting the Traditional Way – Part 4 – The Background
Painting the Traditional Way – Part 4 – The Background Sometimes, depending on the composition of the painting, it…
Painting the Traditional Way – Part 3 – The Dead Layer
Painting the Traditional Way – Part 3 – The Dead Layer Step 4: Refining the underpainting (the anatomy)…
Painting the Traditional Way – Part 2 – The Underdrawing
Painting the Traditional Way – Part 2 – The Underdrawing I was commissioned to create an oil painting of…
Painting the Traditional Way – Part 1
Painting the Traditional Way – Part 1 When painting the traditional way, the most important thing to consider is that…
Live Portrait Demonstration with the Zorn Colour Palette
Live Portrait Demonstration with the Zorn Colour Palette On the 6th of March 2018, I gave my first portrait demonstration…
Searching for Meaning: Where Does Art Come From?
Searching for Meaning: Where Does Art Come From? We’re all searching for meaning. And artists, at their core, are visual…
Who Am I and What Am I Doing as a Full-Time Artist?
Who Am I and What Am I Doing as a Full-Time Artist? This is my first blog post for…
Why I Decided to Give Inktober a Go
Why I Decided to Give Inktober a Go Well it’s the end of October (my birthday month), and if…