Painting the Flesh Tone

Painting the Flesh Tone

Watch this video on YouTube   Painting the Flesh Tone by Damian Osborne   After the verdaccio and going over the figure with terre verte, it’s time to start painting the flesh tone. I guess this is where it starts feeling like the real painting business is beginning to happen, with the underpainting stage complete. Now we are starting to work with a bit more with local colour. But I try not to fall into the trap of thinking one layer is less or more important than another.   What is the best colour for painting the flesh in oils?…

Painting the Figure with Terre Verte

Painting the Figure with Terre Verte

Watch this video on YouTube   Painting the Figure with Terre Verte by Damian Osborne   What is Terre Verte? Terre Verte, or ‘Green Earth’, was commonly used from Medieval Times and through the Renaissance for the underpainting of flesh tones. The Romans used this pigment on their wall paintings even before then. The green is complimentary to the warm reds and pinks of the flesh and makes the skin appear more natural. The pigment is made from iron silicates and the most famous was mined in Verona, Italy. It’s a transparent, non-toxic pigment with a low-tinting strength and high…