How to Paint Flowers in Oils

How to Paint Flowers in Oils

Watch this video on YouTube   How to Paint Flowers in Oils by Damian Osborne   It’s time to paint flowers! I had these beautiful and exotic Amaryllis flowers from a house warming gift. They were blooming nicely. So I decided to paint them. The painting is a Christmas present for my mother-in-law. Flowers are easy to paint in oils since you can set them right up in front of you and paint them from life. If you’re new to oil painting, make sure you quickly read Beginning an Oil Painting – My 5 rules before you start. This is…

Painting the Figure – Part 1

Painting the Figure – Part 1

Watch this video on YouTube   Painting the Figure – Part 1 by Damian Osborne   This painting is actually part of my Siren Series. I have broken up this figure painting demo into 4 parts. So stay tuned for explanations of the various stages.    How do you start a figure painting with charcoal? Vine charcoal is the best medium for starting a figure painting because it’s easy to wipe away and make corrections to your drawing. It is also perfect for drawing on canvas. Unlike graphite, it is soft, and does not create the typical graphite sheen that…

Final Stages of a Figure Painting in Oils

Final Stages of a Figure Painting in Oils

Watch this video on YouTube   Final Stages of a Figure Painting in Oils by Damian Osborne   Usually when I’m working on a figure painting in oils, I write down ideas I have about the painting and the next steps I should follow. So once the painting is dry after a few days, I can pick up from where I left off. My journal becomes quite important near the final stages of the painting, because this is when things really start coming together, and I want to be sure I’m getting things right and not forgetting stuff. I also…

Glazing Skin Tones in Oil Painting

Glazing Skin Tones in Oil Painting

Watch this video on YouTube   Glazing Skin Tones in Oil Painting by Damian Osborne   Glazing skin tones creates a transparent and beautiful glow of realistic looking skin that is impossible to achieve simply by direct painting methods. Following the classical Flemish method of oil painting, I have thus so far painted the imprimatura, the verdaccio, gone over the figure with terra verte, and completed the first semi-opaque flesh tone layer. You can follow these previous steps on my blog or on Youtube if you’ve missed them. Now comes the first glazing layer. Oooohhh… Ahhhhh..   What is glazing…

Painting the Traditional Way – Part 4 – When Should You Paint the Background in Oils?

Painting the Traditional Way – Part 4 – When Should You Paint the Background in Oils?

  Painting the Traditional Way – Part 4 – When Should You Paint the Background in Oils? by Damian Osborne   After painting ‘the Dead Layer’ in the previous post, and refining the anatomy of the figure, I had to start on painting the background. But when should you paint the background in oils?   When should you paint the background in oils? Sometimes, depending on the composition of the painting, it may be necessary to paint the background in oils before the main subject or the foreground objects. If you paint the background before the foreground, you are able…